Isoacoustic ISO-200 ½ºÇÇÄ¿½ºÅĵå
ÇÁ·ÎÆä¼Å³Î ½ºÇÇÄ¿ ½ºÅĵå(1Æä¾î)
ÆÇ¸Å°¡°Ý : 199,000¿ø
Àû¸³±Ý :2,000¿ø
»óǰ»óÅ :½Å»óǰ
ºê·£µå :IsoAcoustics [ºê·£µå¹Ù·Î°¡±â]
±¸¸Å¼ö·® :
°³
Á¦Ç°»óÅ :
ÃÑ ±Ý¾× :

For large speakers and studio monitors

Fine tune your sound the way it¡¯s meant to be heard


The ISO-200 isolation stand is 7.8¡± (200mm) wide x 10¡± (255mm) depth and is rated for monitors weighing up to 60lbs. The ISO series is the latest generation of IsoAcoustics stands designed for studio monitors. The ISO series is an updated version of the popular ISO-L8R series and features a lower profile, new frame design and a newer version of isolator for improved performance.

Offering 14 variations of height and tilt, the ISO-200 will help you optimize the placement of your monitors and bring your tweeters to ear level. The IsoAcoustics patented isolation system provides superior isolation and decoupling from the supporting surface. The stands are biased to keep all energy in alignment with the speaker cones, providing greater clarity and focus.


Perfect for optimizing the placement and performance of small studio monitors¡¦

An important aspect of the speaker stand design is the ability to adjust the height and tilt angle of the supported speaker enclosure to optimize its position relative to the listener and eliminate soundwave reflections off the supporting surface. In a typical Desktop Audio Workstation (DAW) configuration, the listener is positioned 3 to 4 feet from the monitors with ear level approximately 20¡È above the work surface. Raising and tilting the monitors to the optimum position can be achieved in these circumstances using the IsoAcoustics stands.

Patented IsoAcoustics Isolation

Exciting the supporting surface

The isolators manage the energy of the speaker to reduce vibrations resonating through the supporting surface to eliminate dissonant sounds in the listening area or joining rooms.


Reducing internal reflections

Internal reflections are vibrations reflecting back up the speaker cabinet which causes smear. Smear is a result of artifacts replicated in both channels which are perceived to be in the middle, causing the stereo image to collapse. The IsoAcoustics isolators reduce internal reflections to eliminate smear. The result is an improved stereo image of natural spatial sound.

 

¡°Everything sounds better to me with these stands installed. Such an unassuming product making a profound difference in my work day—wow! I¡¯m a huge fan¡¦Frankly, I was skeptical at first, but I did a bunch of listening and everything sounded immediately better. I even did an ¡®acid test.¡¯ I lived with them installed for over two weeks, then removed them. Instantly I wanted them put back. That¡¯s how I knew they were a true asset to my work. I know for thing for certain—I wouldn¡¯t give ¡¯em back!¡±

Scott Frankfurt
Producer and Audio Engineer. Owner of Scott Frankfurt Studio.

Specifications

¹è¼Ûºñ : ±âº»¹è¼Û·á´Â 3,000¿ø ÀÔ´Ï´Ù. (µµ¼­,»ê°£,¿ÀÁö ÀϺÎÁö¿ªÀº ¹è¼Ûºñ°¡ Ãß°¡µÉ ¼ö ÀÖ½À´Ï´Ù)  50,000¿ø ÀÌ»ó ±¸¸Å½Ã ¹«·á¹è¼ÛÀÔ´Ï´Ù.
º» »óǰÀÇ Æò±Õ ¹è¼ÛÀÏÀº ÀÏÀÔ´Ï´Ù.(ÀÔ±Ý È®ÀÎ ÈÄ) ¼³Ä¡ »óǰÀÇ °æ¿ì ´Ù¼Ò ´Ê¾îÁú¼ö ÀÖ½À´Ï´Ù.[¹è¼Û¿¹Á¤ÀÏÀº ÁÖ¹®½ÃÁ¡(ÁÖ¹®¼ø¼­)¿¡ µû¸¥ À¯µ¿¼ºÀÌ ¹ß»ýÇϹǷΠÆò±Õ ¹è¼ÛÀϰú´Â Â÷À̰¡ ¹ß»ýÇÒ ¼ö ÀÖ½À´Ï´Ù.]
º» »óǰÀÇ ¹è¼Û °¡´ÉÀÏÀº ÀÏ ÀÔ´Ï´Ù. ¹è¼Û °¡´ÉÀÏÀ̶õ º» »óǰÀ» ÁÖ¹® ÇϽŠ°í°´´Ôµé²² »óǰ ¹è¼ÛÀÌ °¡´ÉÇÑ ±â°£À» ÀǹÌÇÕ´Ï´Ù. (´Ü, ¿¬ÈÞ ¹× °øÈÞÀÏÀº ±â°£ °è»ê½Ã Á¦¿ÜÇϸç Çö±Ý ÁÖ¹®ÀÏ °æ¿ì ÀÔ±ÝÀÏ ±âÁØ ÀÔ´Ï´Ù.)
»óǰ û¾àöȸ °¡´É±â°£Àº »óǰ ¼ö·ÉÀÏ·Î ºÎÅÍ ÀÏ À̳» ÀÔ´Ï´Ù.
»óǰ ÅÃ(tag)Á¦°Å ¶Ç´Â °³ºÀÀ¸·Î »óǰ °¡Ä¡ ÈÑ¼Õ ½Ã¿¡´Â ÀÏ À̳»¶óµµ ±³È¯ ¹× ¹ÝǰÀÌ ºÒ°¡´ÉÇÕ´Ï´Ù.
Àú´Ü°¡ »óǰ, ÀϺΠƯ°¡ »óǰÀº °í°´ º¯½É¿¡ ÀÇÇÑ ±³È¯, ¹ÝǰÀº °í°´²²¼­ ¹è¼Ûºñ¸¦ ºÎ´ãÇÏ¼Å¾ß ÇÕ´Ï´Ù(Á¦Ç°ÀÇ ÇÏÀÚ,¹è¼Û¿À·ù´Â Á¦¿Ü)
ÀϺΠ»óǰÀº ½Å¸ðµ¨ Ãâ½Ã, ºÎǰ°¡°Ý º¯µ¿ µî Á¦Á¶»ç »çÁ¤À¸·Î °¡°ÝÀÌ º¯µ¿µÉ ¼ö ÀÖ½À´Ï´Ù.
½Å¹ßÀÇ °æ¿ì, ½Ç¿Ü¿¡¼­ ÂøÈ­ÇÏ¿´°Å³ª »ç¿ëÈçÀûÀÌ ÀÖ´Â °æ¿ì¿¡´Â ±³È¯/¹Ýǰ ±â°£³»¶óµµ ±³È¯ ¹× ¹ÝǰÀÌ ºÒ°¡´É ÇÕ´Ï´Ù.
¼öÁ¦È­ Áß °³º° ÁÖ¹®Á¦ÀÛ»óǰ(±Á³ôÀÌ,¹ßº¼,»çÀÌÁî º¯°æ)ÀÇ °æ¿ì¿¡´Â Á¦ÀÛ¿Ï·á, Àμö ÈÄ¿¡´Â ±³È¯/¹Ýǰ±â°£³»¶óµµ ±³È¯ ¹× ¹ÝǰÀÌ ºÒ°¡´É ÇÕ´Ï´Ù.
¼öÀÔ,¸íǰ Á¦Ç°ÀÇ °æ¿ì, Á¦Ç° ¹× º» »óǰÀÇ ¹Ú½º ÈѼÕ, ºÐ½Ç µîÀ¸·Î ÀÎÇÑ »óǰ °¡Ä¡ ÈÑ¼Õ ½Ã ±³È¯ ¹× ¹ÝǰÀÌ ºÒ°¡´É ÇÏ¿À´Ï, ¾çÇØ ¹Ù¶ø´Ï´Ù.
ÀϺΠƯ°¡ »óǰÀÇ °æ¿ì, Àμö ÈÄ¿¡´Â Á¦Ç° ÇÏÀÚ³ª ¿À¹è¼ÛÀÇ °æ¿ì¸¦ Á¦¿ÜÇÑ °í°´´ÔÀÇ ´Ü¼øº¯½É¿¡ ÀÇÇÑ ±³È¯, ¹ÝǰÀÌ ºÒ°¡´ÉÇÒ ¼ö ÀÖ»ç¿À´Ï, °¢ »óǰÀÇ »óǰ»ó¼¼Á¤º¸¸¦ ²À ÂüÁ¶ÇϽʽÿÀ.

ÁÖ¼Ò : ¼­¿ïƯº°½Ã Á¾·Î±¸ »ïÀÏ´ë·Î 428 (³«¿ø»ó°¡) 3Ãþ 357È£
»ç¾÷ÀÚµî·Ï¹øÈ£ : 101-86-29212 | Åë½ÅÆÇ¸Å¾÷½Å°í¹øÈ£ : 2014-¼­¿ïÁ¾·Î-0305 |
°³ÀÎÁ¤º¸°ü¸®ÀÚ : ¼­±¤¹è | ´ëÇ¥ : ¿°À±Ã¶¼­±¤¹è | »óÈ£¸í : (ÁÖ)Ǫ¸¥´Þ
ÀüÈ­¹øÈ£ : 070-7528-8557 | ÆÑ½º¹øÈ£ : 02-3675-2090 | ¸ÞÀÏ : musicstory@korea.com | È£½ºÆÃÁ¦°ø : (ÁÖ)°íµµ¼ÒÇÁÆ®
Copyright ¨Ï www.promusicstory.com All right reserved
Ŭ¸¯ÇϽøé À̴Ͻýº °áÁ¦½Ã½ºÅÛÀÇ À¯È¿¼ºÀ» È®ÀÎÇÏ½Ç ¼ö ÀÖ½À´Ï´Ù. Ŭ¸¯ÇϽøé Åë½ÅÆÇ¸Å»ç¾÷ÀÚ¸¦ È®ÀÎÇÏ½Ç ¼ö ÀÖ½À´Ï´Ù.