Yeti Pro USB / Condensor MIC/당일배송
192kHz, 24bit 컨버터 프로페셔널 USB / XLR지원 콘덴서 마이크
판매가격 : 390,000
적립금 :5,000
상품상태 :신상품
브랜드 :BLUE [브랜드바로가기]
구매수량 :
제품상태 :
총 금액 :

 

 

 

The Yeti Pro is the world's first USB microphone combining 24 bit/192 kHz digital recording resolution with analog XLR output. Featuring three custom condenser capsules and four different pattern settings, the Yeti Pro can capture digital audio with up to four times the clarity found on CDs. Plus, the Yeti Pro features a cutting-edge A-D converter chip and separate analog circuit path for usewith professional studio mixers and preamps. You also get a built-in headphone amplifier for zero-latency monitoring, and direct controls for headphone volume, pattern selection, mute, and microphone gain. So whether you record at home, in a studio (or in the Himalayas!), the Yeti Pro is your ultimate sound solution.

 

System Requirements

PC: Windows 7, Windows Vista, XP Home Edition or XP Professional
USB 2.0 High Speed port required; 256 MB RAM (minimum)

Macintosh: Mac OSX ( 10.6.4 or higher )
USB 2.0 High Speed port required; 256 MB RAM (minimum)


 

 

You can quickly select from each of Yeti Pro's four pattern settings (stereo, cardioid, omnidirectional, bidirectional) by simply rotating the pattern selector knob. The chart below shows each pattern's symbol, sound source direction, and suggested recording applications.

For a more in-depth look at each pattern, please refer to the detailed descriptions and frequency response charts further down the page.

 


 

 

The Stereo mode is great for capturing a realistic stereo image. To start, point the microphone at the sound source that you want to record (the "front" of the microphone is the side of the microphone with the Blue Microphones Logo). Depending on the instrument and/or sound that you want to achieve, place the grill of the microphone anywhere from 2 inches to several feet in front of the sound source. By centering the sound source, you will get equal amounts of signal in both the left and right channels. If you want a little more of the signal in the right channel, move the sound source a little to the right side of the mic (as if one is behind the microphone), and if you want a little more of the signal in the left channel, move the sound source to the left (as if you are behind the microphone). Alternatively, you can record everything as centered as possible, and easily adjust the position when you're mixing the recording. If you want the sound in the right or left channel only, you should try using the cardioid, bidirectional or the omnidirectional setting, and use your software to hard-pan the sound to the left or the right.

 


 

 

Cardioid is the most commonly used mode and can be useful in most any situation. If you are recording vocals, a podcast, or a voiceover, cardioid is likely your best choice. When recording in cardioid, sound directly in front of the microphone is picked up while the sound at the rear and sides of the microphone is not picked up. Therefore, you will want to arrange the source directly in front of the microphone. Cardioid will deliver the most direct, rich sound, but will not offer as much airiness or presence as the other recording modes.


 

Omnidirectional means that the microphone picks up sound equally from all directions. This setting is perfect for recording a group of musicians all playing at the same time, recording a conversation between multiple parties around a room, a conference call, or any other situations where you want to capture the ambience of 'being there.' Because sound is picked up from all directions in this mode, the orientation of the microphone isn't crucial, but as a good rule of thumb, start by orienting the front of the microphone at the primary sound source you wish to record.


 

Bidirectional means that the microphone picks up sound at the front and rear of the microphone, while the sounds to the sides are "rejected", or not picked up. The bidirectional setting is very useful in achieving a nuanced, pleasant sound when recording musical instruments, and is perfect for recording an interview with two or more guests. By placing the microphone between two or more subjects (front of microphone facing one source, rear of microphone facing another), you can achieve a natural sound without the complexity of using multiple microphones.

These charts are only a starting point for the sound provided. How the microphone reacts in a particular application will differ greatly because of many variables, like room acoustics, distance from sound source (proximity), tuning of instruments, mic cabling and other factors. For more tips on miking and recording techniques, check out the Blue website.

배송비 : 기본배송료는 3,000원 입니다. (도서,산간,오지 일부지역은 배송비가 추가될 수 있습니다)  50,000원 이상 구매시 무료배송입니다.
본 상품의 평균 배송일은 일입니다.(입금 확인 후) 설치 상품의 경우 다소 늦어질수 있습니다.[배송예정일은 주문시점(주문순서)에 따른 유동성이 발생하므로 평균 배송일과는 차이가 발생할 수 있습니다.]
본 상품의 배송 가능일은 일 입니다. 배송 가능일이란 본 상품을 주문 하신 고객님들께 상품 배송이 가능한 기간을 의미합니다. (단, 연휴 및 공휴일은 기간 계산시 제외하며 현금 주문일 경우 입금일 기준 입니다.)
상품 청약철회 가능기간은 상품 수령일로 부터 일 이내 입니다.
상품 택(tag)제거 또는 개봉으로 상품 가치 훼손 시에는 일 이내라도 교환 및 반품이 불가능합니다.
저단가 상품, 일부 특가 상품은 고객 변심에 의한 교환, 반품은 고객께서 배송비를 부담하셔야 합니다(제품의 하자,배송오류는 제외)
일부 상품은 신모델 출시, 부품가격 변동 등 제조사 사정으로 가격이 변동될 수 있습니다.
신발의 경우, 실외에서 착화하였거나 사용흔적이 있는 경우에는 교환/반품 기간내라도 교환 및 반품이 불가능 합니다.
수제화 중 개별 주문제작상품(굽높이,발볼,사이즈 변경)의 경우에는 제작완료, 인수 후에는 교환/반품기간내라도 교환 및 반품이 불가능 합니다.
수입,명품 제품의 경우, 제품 및 본 상품의 박스 훼손, 분실 등으로 인한 상품 가치 훼손 시 교환 및 반품이 불가능 하오니, 양해 바랍니다.
일부 특가 상품의 경우, 인수 후에는 제품 하자나 오배송의 경우를 제외한 고객님의 단순변심에 의한 교환, 반품이 불가능할 수 있사오니, 각 상품의 상품상세정보를 꼭 참조하십시오.

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